Still Life
Working in the tradition of still life, I am considering themes of personal place making. The home is where we work, play, nurture and be nurtured. All the objects are mindfully collected and arranged as a meditation that allows for margin to process everyday activities and connections to domestic space as well as nature. Painting the arrangements becomes a reflection of and a symbol for the sacraments and rituals of relationships being nurtured within this space.
Work on Canvas

Panels 1 and 2
60 x 60”
Oil on Canvas
2012

Panels 3 and 4
60 x 60”
Oil on Canvas
2012

240 x 60”
Oil on Canvas
2010

20x20”
Oil on Canvas
2009
30 x 30”
Oil on Canvas
2012

12 x 12”
Oil on Canvas
2012

20 x 20”
Oil on Canvas
2008

20 x 20””
Oil on Canvas
2008

20 x 20”
Oil on Canvas
2008



10 x 10”
Oil on Canvas
2008

6 x 6”
Oil on Panel
2008
Framed (ask for details)

16 x 24”
Oil on Canvas
2009

24 x 38”
Acrylic on Canvas
2009

12 x 12”
Oil on Canvas
2009

11 x 8.5”
Oil on Canvas
2009

11 x 14”
Oil on Canvas
2009

20 x 20”
Oil on Canvas
2012

20 x20”
Oil on Canvas
2010



12 x 12”
Oil on Canvas
2011

20 x 20”
Oil on Canvas
2010

18 x 24”
Oil on Canvas
2010

12 x 12”
Oil on Canvas
2011


12 x 42”
Oil on Canvas
2012

20 x 20”
Oil on Canvas
2011


20 x 20”
Oil on Canvas
2013

42 x 60”
Oil on Canvas
2013

12 x 12”
Oil on Canvas
2012

20 x 20”
Oil on Canvas
2012

12 x 12”
Oil on Canvas
2012

30 x 30”
Oil on Canvas
2012

20 x 20”
Oil on Canvas
2012

20 x 20”
Oil on Canvas
2012

12 x 12”
Oil on Canvas
2012

12 x 12”
Oil on Canvas
2012


30 x 30”
Oil on Canvas
2013

Oil on Canvas

30 x 30”
Oil on Canvas
2015











































Works on Panel
These works are the result of a daily paint practice that I did over the course of three years. All work is done on 6 x 6” panel in oil paint. Working small allowed me to improve observation and paint application technical skills quickly. I employ this approach with students in workshops and classes to assist in the develop personal style and increase confidence in painting.